Saving Mr. Banks Review
Ever wonder just how amazing Walt Disney was? Well now Disney is here to show you!
It is fair to say I see more than the average amount of movies and that after a while they all tend to blur together like cats in a tree shredder 
(I joke, I joke. I really do love cats. The finest moment image, by the way, is one my my favorite new shirts recently added to the funny t-shirt collection. Awesome). However, it is a bad sign when I saw this movie the night before last yet when I sat down to write this literally had to look up what movies were playing in order to jog my memory as to what movie I had seen.
Not to say this movie is bad. Like most Disney movies it is extremely competent and accomplishes its goals of tugging your heartstrings and showing how cool and likable the founder of their company was. However, every move on the screen seems clearly calculated to accomplish these goals and in the end the cliche and almost robotic nature of the film greatly lessened the impact. I definitely felt emotions at times but at the end of the film I could almost hear the flushing sound as my brain evaluated the experience and determined that the memory was not worthy of taking up too many brain cells. Fun, interesting, and well executed but at the end of the day eminently forgettable.
I think the forgettable nature of the film is exacerbated by the fact that there is no climax to this film. It glosses over Act One with a simple expository scene, lands comfortably in Act Two like a sea lion flopping on the beach, and proceeds to wallow there for the entirety of the film. The movie ended at what seemed the appropriate moment but the story advanced at a plodding pace, grinding forward inexorably towards the end we already knew was coming and counting on the talents of the cast to keep the audience engaged.
That being said the talent of the cast was considerable. I am a big fan of Tom Hanks and he inhabited his role like he planned to retire there. Emma Thompson was brilliant as P.L. Travers and the rest of the cast nailed down their roles admirably. Directory John Lee Hancock did the Blind Side, but on the other hand he did Snow White and the Huntsman so I can’t tell if the good parts of this film stem from his direction or if the strength of the cast carried the entire film.
The story is of writer P.L. Travers (Emma Thompson-Brave, Love Actually, Nanny McPhee) being cajoled into selling her rights to Mary Poppins to Walt Disney (Tom Hanks-Saving Private Ryan, Forest Gump, Big). Honestly that’s the story in a nutshell. Mrs. Travers doesn’t want to see her beloved Mary Poppins get turned into a farcical cartoon and is withholding the rights until she is comfortable with the script. Meanwhile a second story is being told through flashbacks about her as a young girl in Australia with her father (Colin Farrell-Total Recall, In Bruges, Seven Psychopaths). He has a drinking problem but dotes on his daughter. Mrs. Travers keeps flashing back to her childhood and it becomes apparently pretty quickly that the book was written about her experience as a child with a nanny.
Walt hooks her up with a talented writer (Bradley Whitford-Cabin in the Woods, Scent of a Woman, Billy Madison) and two songwriters (B.J. Novak-the Office, Inglorious Basterds, Knocked Up (he was in that? I don’t remember him there) and Jason Schartzeman-Rushmore, I Heart Huckabees, Fantastic Mr. Fox). She universally dumps on everything they hope to create and is in all ways a real pain to work with. Walt does whatever he can to make her sweet but to little avail.
Meanwhile she develops a friendship with her driver Ralph (Paul Giamatti-Saving Private Ryan, Private Parts, Rock of Ages) while the story of her childhood advances to the inevitable conclusion, the death of her father (as an aside, talk about plucking low hanging fruit. Getting an emotional response from people by showing the death of a little girl’s father is akin to watching me get rejected by introducing me to a girl I like. This part felt pretty heavy handed). Mrs. Travers finally has enough and flies home to England, only to have Walt Disney show up at her door . They finally make a connection and she signs over the rights. The film then ends in the most exciting way possible, watching Mrs. Travers and the entire cast in a theater watching their movie. The end.
I’m not saying this film should have ended with a car chase and an explosion (although that might have been nice. How about Mrs. Travers turns out to be a Terminator sent back in time by Skynet to kill Walt Disney? Talk about blowing a few brain fuses in the audience) but I was definitely feeling the lack of a true denouement. The whole thing kind of rolled along the tracks and into the station right on time. Oh well.
The stars.
Like I said, you can’t really do much better for a cast. Everyone was dead on, especially Tom Hanks. Three stars. The story was interesting, and if reasonably accurate I know feel like I have a better understanding of cinema icon Walt Disney. Now instead of seeing Disney as a soulless media conglomerate bent on world domination I see them as a soulless media conglomerate bent on world domination founded by a really nice guy. One star. The early 60’s doesn’t suffer from the burning personal hatred that the Summer of Love receives from me and I thought as a period piece it was extremely well executed. Plus I love all the cars. One star. The filming in particular helped capture the times, so I will award another for the camera work. One star. In general worthy of my time and money. Two stars. Total: eight stars.
The black hole.
Like I said before, the lack of an ending leaves you nodding your head and saying “Yep, that was a movie and it’s over now”. One black hole. Pacing was sluggish and were I less engaged in the story downright boring. Again, car chases are not required but something mid movie to liven things up would have gone well appreciated given that this film runs a whopping 125 minutes. One black hole. Total: two black holes.
So a grand total of six stars. Like I said, not bad. You won’t feel like you wasted your time. If you are a fan of Disneyland or any of the Disney movies you will probably get a lot out of it. Oh, yeah, I guess fans of Mary Poppins should go. Never saw the movie myself. Too much singing and dancing makes me want to punch people. However this film was pretty much made to watch on your home screen so feel free to skip the theater experience and just use the media streaming option of your choice. Date movie? Maybe, but honestly this film really feels more like the film you take your mom to see. By the way Mom if you are reading this you should go see this movie. Bathroom break? Pretty much any of the script writing scenes that do not directly involve Walt Disney are mostly development filler. Towards the end there is another scene where Mrs. Travers is chilling back in England waiting for the premier that could be missed too.
Thanks for reading. I was going to go see Grudge Match tonight and spew all over it (looks horrible) but then my best friend told me that American Hustle features Amy Adams nude so I’ve had to reevaluate my priorities. I only hope that is enough to overcome my intense dislike of the ’70s. Look for my review tomorrow. Follow me on Twitter @nerdkungfu, and if you feel the need to express yourself with regards to this film or my review feel free to do so here. Just don’t mention fake Louis Vuitton bags, which is what 90% of the comments I get do. If you have an off topic question (6’5″, 235lbs SWM) or suggestion feel free to email me at [email protected]. Talk to you tomorrow. Happy New Year!
Dave
